‘Kupšytė in particular has a powerful, warm tone, with a brilliant coloratura, easy and unfading high notes. She can project her voice to the highest, most remote corners of the auditorium like there is no tomorrow and was convincing as Romeo; her hurt and anguish very real.’SeenandHeardInternational

CALENDAR 25/26

  • COSÌ FAN TUTTE

    DORABELLA

    Cosi fan tutte is Mozart’s witty and romantic opera about love put to the test. Two men disguise themselves to challenge theirs fiancees’ fidelity, leading to comic twists and unexpected truths. With elegant music and sharp humor, the opera explores loyalty, desire, and the complexities of the human heart.

    13, 21 September

    3, 10 October

    16 November

    23, 31 January

    3, 23 May

    OPER LEIPZIG

  • DIE ZAUBERFLÖTE

    2 DAME

    It follows the adventures of Prince Tamino and the bird-catcher Papageno on their quest to rescue Pamina. To assist their mission, they are given musical instruments enhanced with magical powers, which they deploy to conquer the trials and tribulations placed in their path towards a deeper understanding of true love and happiness.

    7, 9, 22 November

    3 January

    1 February

    OPER LEIPZIG

  • HÄNSEL UND GRETEL

    HÄNSEL

    German composer Englebert Humperdinck, depicts the famous Grimm fairy tale of two children who get lost in the forest and are lured into the home of an evil witch. They manage to escape the witch's gingerbread house by outwitting her, and safely return to their family.

    29 November

    14, 15, 22 December

    OPER LEIPZIG

‘Gabrielė Kupšytė’s <..> every role is played with captivating power and intensity. Her solo performance as Charlotte from Werther (a deep psychological staging I preferred to this year’s full production) was stunningly moving. It was met with a chorus of weepy sniffles from the audience so snotty it would have terrified anyone over 60 during Covid.’ London-Unattached

'Gabrielė Kupšytė’s amber-tinted mezzo impressed in the title role, especially in “Duri lacci, voi non siete per me rei di crudeltà”, possibly the opera’s finest number, where the chained Arminio reflects that his imprisonment will be worthwhile if it secures his country’s freedom. “Vado a morir”, where the condemned Arminio bids farewell to his wife, was also beautifully sung.’Bachtrack

Follow my journey

Worldwide General Management

Louis Chanson

chanson@artistsman.com

Artists Management Zürich
Artistsman AMZ GmbH
Brahmsstrasse 26
CH-8003 Zürich


Tel.: +41 44 821 89 57


www.artistsman.com