‘Kupšytė in particular has a powerful, warm tone, with a brilliant coloratura, easy and unfading high notes. She can project her voice to the highest, most remote corners of the auditorium like there is no tomorrow and was convincing as Romeo; her hurt and anguish very real.’SeenandHeardInternational

CALENDAR 25/26

  • COSÌ FAN TUTTE

    DORABELLA

    Cosi fan tutte is Mozart’s witty and romantic opera about love put to the test. Two men disguise themselves to challenge theirs fiancees’ fidelity, leading to comic twists and unexpected truths. With elegant music and sharp humor, the opera explores loyalty, desire, and the complexities of the human heart.

    13, 21 September

    3, 10 October

    16 November

    23, 31 January

    3, 23 May

    OPER LEIPZIG

  • COMING UP FOR AIR (WORLD PREMIERE)

    ANOUK

    Anouk, a young writer with cystic fibrosis, uncovers a deep connection between her life, a drowned woman from the Seine, and a grieving dollmaker. Their stories intertwine across time and place in a powerful opera about loss, memory, and hope.

    14, 22, 27 March

    4, 19 April

    OPER LEIPZIG

  • GIULIO CESARE IN EGITTO

    SESTO

    Handel’s Giulio Cesare in Egitto follows Julius Caesar’s arrival in Egypt, where he becomes entangled in political intrigue and falls in love with Cleopatra. Together, they defeat her brother Tolomeo, securing her throne. Love and power triumph in this richly dramatic Baroque masterpiece.

    13, 21, 27 June

    OPER LEIPZIG

‘Gabrielė Kupšytė’s <..> every role is played with captivating power and intensity. Her solo performance as Charlotte from Werther (a deep psychological staging I preferred to this year’s full production) was stunningly moving. It was met with a chorus of weepy sniffles from the audience so snotty it would have terrified anyone over 60 during Covid.’ London-Unattached

'Gabrielė Kupšytė’s amber-tinted mezzo impressed in the title role, especially in “Duri lacci, voi non siete per me rei di crudeltà”, possibly the opera’s finest number, where the chained Arminio reflects that his imprisonment will be worthwhile if it secures his country’s freedom. “Vado a morir”, where the condemned Arminio bids farewell to his wife, was also beautifully sung.’Bachtrack

Follow my journey

Worldwide General Management

Louis Chanson

chanson@artistsman.com

Artists Management Zürich
Artistsman AMZ GmbH
Brahmsstrasse 26
CH-8003 Zürich


Tel.: +41 44 821 89 57


www.artistsman.com